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Almost at the end of 2018 which just makes my jaw drop. I’m working on book two as fast as I can, but being very mindful that I want it to be an absolutely cracking great read with as much honesty and originality as I can muster. I’m not going to put a book out unless it’s the best I can make it.
Something I’m currently doing research into for book two are medieval secret societies. I first became interested in intelligence when I joined the Army Reserves and was posted to an Intelligence Corp for a couple of years. I loved the experience so much I went on to become an Intelligence Analyst at the Crime Commission in New South Wales. At the time it was a true sense of belonging for me. The daily opportunity to dive in deep and look for clues amongst seemingly unrelated bits of information was like a dream job.
I eventually went on to apply for work as an Intelligence Analyst with a federal agency in Australia. I went through a gruelling six month interview and psychological testing process. Just about every bit of my life was revealed. No stone left unturned. It wasn’t a comfortable experience I can tell you. I was offered the job and cleared for the highest security classification in Australia—Top Secret—and I turned it down. It was a gut-wrenching decision. Who knows the path my life may have taken had I accepted the job. But I didn’t want to live a secretive life. I didn’t want to ever find myself in situations with friends where I couldn’t be open and honest about what I do.
So I found another outlet for my analytical skills. And one was writing a book.
I understand the world of intelligence quite intimately which is proving to be helpful for book two. I’ve also been finding it a lot of fun to re-engage with my ‘past-life’ as an Intelligence Analyst. It certainly was one of the most interesting jobs I’ve held. I’d love to hear what the most interesting job you’ve held has been. I reckon there’d be some amazing stories out there. Please don’t be shy. Flick an email to me at firstname.lastname@example.org or find me on any of the social media links below.
Most people have an interest in being creative in some way. Our jobs are often just not big enough for us. Not many define themselves by their Monday to Friday jobs, but ask them what their interests are and you start getting to the essence of the person.
In the very early days of writing The River and the Ravages, I knew I wanted the protagonist, Aaliya, to be a saddle maker. This wasn’t just a random selection of a trade relevant during medieval times. I wanted saddle making for its association with practicality and for its incredible range for beauty. Saddles have stories. The people that had owned the saddle, the distances it had covered and the horses it had been on, the battles the saddle had been in, the unique parts of the world the saddle had been taken to. All of this mattered. And it shaped the character, Aaliya: who she was, what she stood for, what she wanted to achieve.
There’s a significant renaissance in the handmade movement at the moment. Etsy.com (Ebay for handmade) is mega-business as people seek out unique products. I’m drawn to handmade the same reasons so many other people are: the ideas, the tactility, and the hands that work upon the matter. You don’t just get a material item with handmade, you get meaning and stories. There’s longevity. Handmade items are rarely thrown out and in our disposable society, that’s BIG. Handmade items are often handed down through generations. They stand the test of time in a world where there is so much change and nothing seems to last. They help to define who we are and our place in the world.
I’m also heartened by the fact that around the world schools of old trades and craft are opening up and are thriving. Schools for blacksmithing, saddle making, woodworking, decorative ironwork and on it goes. Many people have become interested in learning old trades and craft as a way of counterbalancing our busyness and highly distracted modern lives.
More importantly, I think everywhere people are learning there’s a sense of joy to be had from making. There’s also a strong connection with the present moment when you’re making. You’re not thinking about your imperfect body, or the size of your mortgage, or your messy divorce. Loneliness simply drifts away when making and creating. All that matters is the connection of hand and mind and achieving something real and beautiful. Even if it’s just for yourself. No one else need ever see it.
Victor Frankl once wrote: ‘It is the very pursuit of happiness that thwarts happiness.’ Joy is the goal, not happiness. And I’m a firm believer that making is a strong element of joy in life.
Expect that anything worthwhile takes a long time. You won’t go from novice to highly skilled overnight in whatever craft you pursue. But that’s not an excuse not to start. It’s not about the destination, it’s about the journey. But you already know that. And it’s more than likely you’ll discover a whole lot about yourself along the way.
And you know what’s the easiest part? Nothing. It’s hard work. But the rewards are plenty.
Someone once said to me “it always works out for you.”
I didn’t have a response at the time. I was kind of in a strange place between thinking was that a joke to realising this person was being utterly serious and finding myself quite confused.
So here’s the thing. It works out for me no more than it works out for others. Life also blows up in my face quite spectacularly at the same rate it does for others. The only thing I have, indeed anyone has, is their attitude and how they’re going to react to any given situation.
I remember thinking at the time what’s going on here? From her viewpoint, I was living a golden life free from despair, loss and pain. I have those things in spades.
I consider myself a fairly creative person. I wrote a novel, tried to find a publisher, was rejected…oh, like twenty times, decided I still really wanted to have a published book so learned InDesign (HELL in a word) and got it out into the world. Achievement! And although the sense of achievement and purpose is wonderful, writing a book also comes with a major caveat: My book isn’t going to be liked by everyone (I know right. CRAZY!) I have very little control over people and future events.
I don’t know how any of this is going to go. Everyday I wake up and take a wander in the great unknown. It’s a place I’ve come to accept as being my bed of roses.
It doesn’t always work out for me, not by any stretch. I’m no luckier than the next person. But no matter what comes my way, I’m going to be grateful.